In The Press

‘Oppenheimer’ Tops HPA Awards


https://www.docnyc.net/film/the-walk/

Christopher Nolan's epic won trophies for editing and color grading, as the team behind Las Vegas' Sphere accepted the Judges Award for Creativity and Innovation.

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HPA – Hollywood Professional Association – Award Nomination


https://www.docnyc.net/film/the-walk/

We are thrilled to announce we have been nominated for the
HPA AWARD FOR - Outstanding Sound – Documentary
For “If These Walls Could Sing”
George Foulgham, Philip Moroz, Alex Gibson, Tom Verstappen, Miles Sullivan // George Foulgham Soundscapes Ltd.

What amazing news!

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World Premiere of The Walk


https://www.docnyc.net/film/the-walk/

We are so pleased to be able to finally announce that THE WALK feature documentary will have its World Premiere in New York on the 9th November as part of the excellent DOC NYC, America's largest documentary festival

https://www.docnyc.net/film/the-walk/

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If These Walls Could Sing review – mystery tour of Abbey Road Studios


Source: The Guardian

Putting her privileged access to good use, Mary McCartney has directed this enjoyable documentary about Abbey Road Studios in London – famously the site of the Beatles’ classic recordings (her dad is Paul of course), but much more besides. McCartney’s film takes us through the history of the building itself (in the St John’s Wood neighbourhood of London, perhaps only Lord’s cricket ground is more of an English icon).

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Mary McCartney: ‘This was a way of bringing the audience into Abbey Road’


Source: ABC

ABC News' Linsey Davis spoke to Mary McCartney, director of "If These Walls Could Sing," unpacking her personal ties and the 90-year history of the legendary studio

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‘If These Walls Could Sing’ Review: Mary McCartney Takes Her Own Crosswalk to Abbey Road


Source: Variety

It’s fair to say that Abbey Road Studios is the most documented recording facility in the world, but only if you count the crosswalk outside. Otherwise, the nine-bedroom mansion turned studio hasn’t really had its day in the cinematic sun, the way that more modest studios like L.A.’s Sound City and Alabama’s Muscle Shoals have. Making up for that with an A-lister-filled movie treatment is “If These Walls Could Sing,” the first feature-length documentary from Mary McCartney, who has a hell of a shared Rolodex to draw upon in gathering the firsthand rock ‘n’ roll anecdotes you expect and want in a film like this. She’s also savvy enough to know that the guy working in the back gluing irreplaceable mid-century microphones back together deserves a few seconds of screen time, too.

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Mary McCartney’s If These Walls Could Sing coming soon to Disney Plus


Source: Abbey Road

We’re excited to announce If These Walls Could Sing, Mary McCartney’s new Disney Original Documentary on Abbey Road Studios is coming to Disney Plus on 16 December after making its debut at Telluride Film Festival.
The culmination of years of research, the film is Mary’s personal love letter to a place which not only fostered her dad’s creative work, but also countless numbers of the most talented artists from around the globe.

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Testimonials

Black Sheep | Tell Me Who I Am


Nominee
Black Sheep – Oscar
Nominee
Tell Me Who I Am – Grierson


"I have had the privilege to work with George on many projects over the years - including TELL ME WHO I AM and BLACK SHEEP - and the collaboration is always one of the highlights of the entire filmmaking process for me. I have always felt immensely privileged to be in such safe and talented hands.

George combines an acute sensitivity for what the sound mix can and should do with a genuine willingness to take creative risks. Despite arguably having mixed more feature documentaries than anyone else in the world (!), I always feel as though George approaches each and every new project with the same excitement and respect, and his unparalleled experience has saved me from myself on many occasions. On TELL ME WHO I AM specifically, George handled the balance of music and effects with huge care given the sensitivities involved in the story, and his use of total silence at several points in the film really felt like we were pushing the boundaries of what a traditional documentary sound mix can offer."


Ed Perkins

Director

TRAWLERMEN


Winner
BAFTA TV Craft Factual Sound Award 2010
Nominee
BAFTA TV Craft Factual Sound Award 2008


"George is hands down one of the best in the business. Working with him is a creative joy and I always feel like I am in very safe hands. The White Helmets was a challenging mix due to the combination of multiple recording formats and sound qualities. George pulled everything together to create a beautifully textured soundscape that was cinematic and yet remained true to the realities on the ground in Syria and Turkey."


BILL LYONS

Executive Producer
Documentaries & Features BBC Birmingham

MICHAEL PALIN’S NEW EUROPE


Himalaya with Michael Palin
Sahara with Michael Palin


"In choosing a dubbing mixer George is always top of my list and has been so for the last twenty years. George is his own sternest critic. To achieve his high standards he brings a calmness, clarity and attention to detail that is truly impressive. In his skilful hands tracks recorded in difficult conditions in the field can sound pristine and transformed. Within the increasingly complex demands of broadcasters George also manages to make mixing-sessions at Molinare experiences that are relaxed and enjoyable as well as technically of the highest standard."


ROGER MILLS

Director/Producer
Prominent Television

MUGABE AND THE WHITE AFRICAN


Nominee
BAFTA Outstanding Directorial Debut 2010
Winner
BIFA Best British Documentary 2009


"I watch Trawlermen and how we experience what those guys cope with is completely enhanced by the sound. We’ve experienced the different world you help to create with our Mugabe film. It just makes me feel so lucky that we had you helping our film."


ELIZABETH MORGAN HEMLOCK

Producer
Arturi Films